Here i am sharing my own views on the following topics.
What is
the meaning of phrase ‘Blood Money’ in Veronica’s reply email?
Julian
Barnes here justifies the Universal Truth that “One cannot know what
he does not know” – with the reference of Tony Webster that he never
understand the words of Veronica, When Tony asked Veronica about the Money at
that time she replied with very tragic answer “Blood Money”. When
Tony asked about other things at that time Veronica also replied with
unaccepted answer: -
"You
still don’t get it. You never did, and you never will. So stop even trying”.
So here it
can be interpreted that why does Veronica say ‘Blood Money’? Because there are
two persons who are responsible for Adrian’s suicide they are Sarah and Tony
Webster according to Veronica. Due to Sarah Adrian committed suicide as he
makes her pregnant and another reason can also be given is that Veronica thinks
that Tony Webster is responsible as he writes letter to Adrian. So the letter
causes damage. Therefore Veronica thinks that Tony Webster is responsible for
the suicide of Adrian. Hence we may say that she calls that money as ‘Blood
Money’.
Concept of
Suicide :
As for
Robson’s death, Adrian quotes Camus:
“Suicide was
the only true philosophical question.”
This leads
the friends to conclude that the suicide could only be considered philosophical
in an arithmetical sense: Robson, about to cause an increase of one in the
human population, had decided that it was his ethical duty to keep the planet’s
numbers constant. Nevertheless the friends are jealous of Robson. His
achievement had been “unphilosophical, self-indulgent and inartistic”. When
they learn that his suicide note was rumored to consist of just two words,
“sorry mum”, they believe it to have “missed a powerful educative opportunity”.
Unreliable
Narrator :
There is but one truly serious philosophical problem, and that is
suicide. Judging whether life is or is not worth living amounts to answering
the fundamental question of philosophy. Suicide has never been dealt with
except as a social phenomenon.
Julian Barnes’ has achieved something remarkable with this text, creating a
work that is honest in its inaccuracy, that is genuine in its falsehood.
Through the narration of The Sense of an Ending, its protagonist Tony Webster
teaches himself a set of lessons about the erratic itineraries of memory.
Even in
moments of realizing ourselves as split by chronology and duration, we dance
freestyle to the beats of being and time. Living implies constant narrative
shifts, adjusting to the rhythms of our truths, lies, and indifferences Memory,
as Barnes understands it and as Tony is forced to realize is far more edited
than we'd like to believe.